|Working cover design for the new novel from Gary J Byrnes|
Four years. That's how long it took to finish my latest novel. Looking back at the events of the summer of 2010 - on Wikipedia, you can look at world events for every day in the recent past, every day! - I was struck by how little has changed. Iran, Gaza, recession, this was the 2010 news. If anything, things have gotten worse. Syria. IS. Ukraine. But I have my novel and maybe that can help to make things a little better for some, if only by providing my readers with a distraction, an entertainment, a different perspective.
That's the magic of stories. Stories are what give us the best of humanity. They are educators. They share ideas, spark revolutions - yes, a tweet is a story - and can provide a history and a future all at once. The Internet is a story, a glorious, connected, infinite dazzle of chapters and books and autobiographies. "Here I am! Look at me! Please." And the Internet has changed book publishing over those four years. The terrible beauty of self-published ebooks, with virtually instant distribution to an entire planet, countless trees saved, swathes of middlemen and their margins bypassed, analytics that don't lie and, best of all, readers in the driving seat.
"Read this sad and desperate ghost-written autobiography of a perfectly boring sports person!" shouts the ad on the side of the bus. "Let's talk about the shit book written by the actor who works for the film company that's also owned by the megalomaniac who owns this TV channel and is also the publisher of said shit book," says the talking head on the living room flatscreen. "Christmas is coming, so let's talk to a tedious chef about why you must buy yet another fucking cookbook," says the dying magazine which has been paid peanuts to peddle crap. These are the breathless last gasps of a dead business model.
I will be happy, delighted even, to publish To Eat the World myself. My story is about food and art and Nazi bankers who want to control the world economy but who will also detonate a nuclear bomb under Wall Street, because fiddling with the economy is just so fucking boring and people have had just about enough of that shit reality. So you can smell the food, you can visualise the great art as you glimpse a greater understanding of why we cook and why we make pictures and why the two go together. Why Nazis? Because they have influenced the modern art world more than any other organisation. Perhaps they've had more of an influence on today's world than we would like to acknowledge.
And the understanding that you will reach as you read my story will come from you. I don't join all the dots. I give you the dots to join as you will.
So, yes, I will be happy - delighted even - to publish To Eat the World myself. It can be in the iTunes stores and on Barnes and Noble's virtual shelves in a day. It can be in every Google Play app store and every Amazon marketplace that same day. And it will be very good value and it will sell as my body of self-published work proves. But would I like to work with an agent or publisher who can put it on bus sides and TV and magazines so that it can reach a wider audience? Absolutely. Because I know that my story is worth it.
If you're an agent or publisher and would like to find out more, email Gary at firstname.lastname@example.org or call +353-87-249 3051.
More at www.GaryJByrnes.com
Find Gary's books, including bestselling 9/11 Trilogy, on iTunes.